Monali Swain: A dancer who overcame physical limitations

Prameyanews English

Published By : Bratati Baral | April 29, 2025 3:01 PM

From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own

Bhubaneswar, April 29: At just 26, Monali Swain from Kendrapara district is not just a dancer—she’s a living testament to the power of determination. With an artificial right leg and smaller fingers on both hands—four on her left and three on her right—Monali has broken every physical barrier that sought to stop her from pursuing her passion. Instead of letting these challenges define her, she’s redefined what it means to overcome adversity through her love for dance.

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Her journey hasn’t been easy. Monali dances with ghungroos—ankle bells—secured to her artificial leg, making every performance a display of both grace and strength. Despite the obvious challenges of dancing with a prosthetic limb, Monali’s movements are fluid, her expressions captivating. With every step, she leaves audiences in awe, not just for her talent, but for her unshakable spirit.

Currently residing in Bhubaneswar, Monali’s story is one of resilience, passion, and breaking free from the limitations society often places on those with physical disabilities. But her journey began long before she set foot on a stage in the capital city.

From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own. As she grew older, her love for dance only deepened. Without access to formal training, she turned to YouTube, where she learned the intricacies of semi-classical and modern dance styles. To this day, she has never had a formal dance teacher, yet her raw talent and determination speak volumes.

Over the years, Monali has earned multiple accolades at the district and state levels, becoming a well-respected name in the dance community. But her challenges are far from over. Each time she steps on stage, she contends with blisters and sores from her artificial leg. There are times when blood even seeps through the spot where her prosthetic limb connects to her body. Yet, she pushes through the pain, determined to continue doing what she loves.

Despite these hurdles, Monali’s commitment to her art never wavers. She says, “I love to dance. Whenever I perform on stage, I forget all my struggles and difficulties. Dance is where I find my freedom, where I feel at peace.”

But Monali’s aspirations go beyond her own performances. She dreams of teaching dance to the next generation. “If God gives me the opportunity, I want to pass on what I’ve learned to children. I want them to know that no matter the limitations they face, they too can dance, they too can dream,” she says.

Monali Swain’s story isn’t just about overcoming physical challenges; it’s about the power of passion and perseverance. She has proven that when it comes to dance, it’s not the body’s limitations that define the dancer, but the heart and soul that pours into every performance.

And with every performance, Monali continues to inspire—showing the world that no obstacle is too great when your heart is set on your passion.

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From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
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From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own
From a young age, Monali was drawn to dance, even though her body didn’t always cooperate. She would watch dance performances on TV and mimic the moves she saw, practicing until she could make them her own

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